This was the hardest part of the documentary module I did last term, finding an interesting subject to shoot and adding my personal original take on an old concept. I believe this term however, I have an interesting idea.
I am going to visualise music. What I mean by this is I am going to attempt to put images to the experience of playing and hearing music, a sort of bridge between audio and visuals. I have played the drums since I was 13 and currently have a show on the radio, this means I will have access to a lot of equipment relating to playing music and enjoying music. I have a number of connections to musical artists and so getting the instruments shan’t be an issue for this project. In addition to this, the documentary I filmed last year was in the GAK (Guitars, Amps & Keyboards) shop in Brighton and so I can easily talk to the owners about shooting in their shop as I already know them.
My current plan of photos
(This will be subject to change).
- An around 2-second exposure of a guitar string(s)
I am hoping to capture the vibrational movement of a string and thought a relatively long exposure would be the ideal method to capture vibration without shooting video
- Paint in an upturned sub-woofer speaker
I have seen this effect in high-speed photography, ( https://www.youtube.com/watch?v=RkLn2gR7SyE and https://www.youtube.com/watch?v=5WKU7gG_ApU ), and thought this was a good way to almost see sound. This I think would make for an interesting image, there are a few issues I may run into however, in trying to shoot this photo (I have listed them below).
For this, I would either upturn a large crash cymbal or use a China cymbal. What I am hoping for is similar to the paint in a sub-woofer idea, that the ‘crash’ would raise the rice or sand leaving it suspended in the air. This would show sound in a photograph.
- A needle on a vinyl record
For this, I would use a very shallow depth of field and get in really tight, hopefully with a macro lens, so the ridges of the record are seen with the vinyl going out of focus very quickly. This is another aspect to music, the evolution, that fascinates me as I was born in the 90s and have only ever recreationally used records (as weird as that sounds).
- Meters on a broadcasting unit
This shows the other side to music evolving. I have access to the studio in which I record and broadcast my radio show and I hope this shot would shot how music can be shared with everyone.
- A deaf person’s hand on a speaker
Years ago a saw a drummer live who was deaf. She felt the vibrations of the drums sitting on stage through her bod and was able to construct songs while not being able to actually hear the music. The performance was inspiring and it shows another way in which music can be enjoyed, another way to ‘listen’ to music even if that person is deaf.
Similar to the deaf person hearing music in a different way, a dancer visualises music through his/her performance. The medium is visual but it is another way for someone to enjoy music.
This is my least favourite idea in the series so I will probably not use it even if I shoot the photo but I felt it a good idea to include in this list as it shows my thought process. There are a few reasons I do not like this idea;
- It came to me immediately, this does not make the idea bad in itself but I feel as if it is underdeveloped
- I have defiantly seen this photo before, I think one of the reasons I thought of it so fast is that It is a shot I commonly associate with musical photography
- I don’t have direct access to a large stringed grand piano
- I don’t know how to make the photo artistic, I cannot think of an easy way to layer in added meaning to a shot I feel has been done 1000 times or more
Issues I may run into
The main issue I would run into I think would be the paint in the subwoofer of a speaker. The rest of the photos are attainable, some will require a little more research. But the paint in the speaker would require me to take the front off of a speaker, large enough to create an effect with the paint, which would break the speaker. I do have some speakers large enough but they come at considerable cost. The only way I could get this photo is either spending the money or seeing if acquaintances have an old speaker with a sub-woofer large enough to create this effect, which they would not mind me breaking.
A lot of these photos can be shot in a studio where I would have full access to the light source and can shoot at my leisure. The photograph of the record and of the audio levels however, both need to be shot in the radio studio where this equipment is and so light may be an issue for these shots. There is no natural light in the studio as with all audio recording booths, and the studio is small. This means bringing in lights may be an issue. I shouldn’t need a lot of light however as I will be using a very shallow depth of field for each shot.
The only other issue that I can see so far for my photos is that I do not know any dancers since I have moved. Either I will meet a dancer or group of dancers and take their photos, or I shall get a non-dancing friend and attempt to capture any grace they may have, in a photo.